The Lost + Found: When Chase Bliss Abandons Single Effects for Strange Multi-FX Wonderland

The Pedal That Breaks Every Chase Bliss Rule

For years, Chase Bliss built their reputation on single-effect pedals of staggering complexity—instruments that could take months to fully understand and years to master. But the Lost + Found represents a complete philosophical departure: their first multi-FX pedal that prioritizes immediate inspiration over deep diving complexity. This isn’t just another addition to their catalog; it’s a fundamental reimagining of what Chase Bliss can be.

At €469 through their Small Batch Bliss made-to-order program, the Lost + Found proves that sometimes the most radical move is simplification—wrapping 12 unique stereo algorithms in an interface so intuitive that even Chase Bliss newcomers can find magic within minutes.

Small Batch Philosophy: Made-to-Order Experimentation

The Lost + Found arrives as the second pedal in Chase Bliss’s Small Batch Bliss collection—a made-to-order line that abandons artificial scarcity for genuine accessibility. Unlike limited editions that sell out in minutes, the Small Batch approach gives everyone a month-long preorder window (until August 31, 2025) to secure their pedal.

This democratized approach reflects matured thinking about boutique pedal manufacturing. Rather than creating FOMO-driven purchasing pressure, Chase Bliss commits to making exactly as many pedals as people want, shipping in September in order received. It’s boutique craftsmanship without boutique exclusivity.

Twelve Algorithms: Strange by Design

The Lost + Found’s algorithm selection reads like a catalog of effects that shouldn’t exist but absolutely need to. Rather than recreating familiar sounds, Chase Bliss has developed 12 original algorithms organized into six categories, each offering genuinely unique sonic territories.

Category 1 – Reverbs:

  • Slow-Verb: Shoegaze-inspired wobbly reverb for textural mayhem
  • “Useful” Ambient Reverb: Less modulated ambient processing for practical applications

Category 2 – Pitch Effects:

  • Orchestral Swell: Dynamic pitch manipulation for cinematic builds
  • Pitch Repeater: Rhythmic pitch processing for melodic complexity

Category 3 – Modulation:

  • Pinging Phaser: Aggressive phasing with percussive characteristics
  • Spectral Modulator: Frequency-based modulation for harmonic manipulation

Category 4 – Delay Variants:

  • Tape Delay: Classic analog-style repeats with character
  • Grain Tumbler: Granular delay inspired by Generation Loss’s Reverse Mode C

Category 5 – Synthesis Tools:

  • Impulse Synthesizer: Generates synthetic textures from input signals
  • Sympathetic Resonator: Creates harmonic resonances that respond to input

Category 6 – Texture Processors:

  • Ensemble Expander: Spatial processing for dimensional enhancement
  • Gen Light: Simplified version of Generation Loss MKII algorithms

Dual Channel Architecture: Stereo Creativity Made Simple

The Lost + Found’s two-channel design allows different effects on left and right channels, with each channel controlled by a three-way switch and the continuously variable Modify control. This architecture encourages stereo creativity without requiring advanced routing knowledge.

The Modify knob becomes the creative centerpiece—fully left gives you one effect, fully right provides another, but the magic happens in between positions where effects blend and morph into hybrid behaviors that exist nowhere else.

Simplicity Revolution: Chase Bliss Goes Accessible

Perhaps the most radical aspect of the Lost + Found is its operational simplicity. This company—known for pedals requiring PhD-level manual study—has created what they call “arguably the company’s simplest to operate pedal to date.”

Simplified Interface:

  • Two three-way switches for effect selection
  • Modify knob for continuous A/B blending
  • Time knob for each channel
  • Dedicated blend control for overall mix
  • Bonus compressor/saturator at end of chain

The between-positions functionality transforms simple effect selection into continuous morphing between sonic territories. Rather than discrete effect switching, you’re navigating a continuous landscape where familiar sounds blend into uncharted territories.

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Advanced Connectivity: Simplicity with Professional Depth

Despite the simplified front panel, the Lost + Found maintains Chase Bliss’s commitment to professional integration. The rear panel provides comprehensive connectivity that satisfies both live performers and studio integrators:

Professional I/O:

  • MIDI implementation for preset recall and parameter control
  • CV inputs for modular integration
  • Expression pedal control for real-time manipulation
  • Preset saving capability
  • Internal modulation programming via DIP switches

This dual-personality approach—simple front panel, complex rear connectivity—makes the Lost + Found accessible to beginners while satisfying professionals who need deep integration capabilities.

The Bonus Compressor: Finishing Touch Philosophy

The integrated compressor/saturator at the end of the signal chain reflects understanding that multi-effects need cohesive output processing. Use it subtly for “finished quality right out of the box,” or drive it hard to “blow things apart”—terminology that perfectly captures Chase Bliss’s approach to creative destruction.

This finishing stage transforms the Lost + Found from an effects collection into a complete sonic processor that can handle everything from subtle enhancement to radical transformation without requiring additional equipment.

Made-to-Order Accessibility: €469 for Unlimited Availability

The €469 price point positions the Lost + Found as serious professional equipment while remaining accessible compared to equivalent multi-effect solutions. The made-to-order approach means no rushing to secure limited quantities—place your order anytime before August 31, 2025, and Chase Bliss commits to building your pedal.

This pricing strategy acknowledges that €469 represents significant investment while ensuring that financial commitment translates into guaranteed delivery rather than speculation about availability.

Creative Applications: Beyond Traditional Effects Processing

The Lost + Found’s algorithm selection encourages applications that transcend traditional effects processing:

Ambient Production: The combination of slow-verb, grain tumbler, and sympathetic resonator creates atmospheric textures impossible with conventional reverbs and delays.

Sound Design: Impulse synthesizer and spectral modulator generate synthetic elements from acoustic sources, bridging the gap between recording and synthesis.

Live Performance: The simplified interface and preset capability make complex soundscapes accessible during live performance without requiring extensive programming.

Studio Integration: MIDI and CV connectivity allow the Lost + Found to function as an integrated part of larger production setups rather than an isolated effect.

The Anti-Chase Bliss Chase Bliss Pedal

The Lost + Found represents everything Chase Bliss pedals traditionally aren’t: immediately accessible, multi-functional, and designed for quick inspiration rather than deep study. Yet it remains unmistakably Chase Bliss in its commitment to original algorithms and sonic territories that don’t exist elsewhere.

This paradox suggests artistic maturity—the confidence to abandon successful formulas when they no longer serve creative goals. The Lost + Found isn’t trying to be the most complex Chase Bliss pedal; it’s trying to be the most inspiring.

September Delivery: The Wait for Strange

With preorders closing August 31, 2025, and shipping beginning in September, the Lost + Found represents a near-term opportunity to own genuine sonic innovation. The made-to-order approach eliminates availability anxiety while ensuring each pedal receives individual attention during manufacturing.

Ready to get lost in found sounds? The Chase Bliss Lost + Found at €469 proves that sometimes the most radical innovation is making the impossible accessible, transforming months of potential learning into minutes of immediate inspiration.

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About Me

Canoy Dang
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Hi, I’m Canoy Dang. I grew up in Granada and now living in Málaga, in the south of Spain. Sound has always played a central role in my life — from early home recordings to the deeper, ongoing exploration of the modular synth world. Modular, semi-modular, and desktop synthesizers have become my main tools for expression, experimentation, and sometimes, simply for getting lost in the process.